RE:Match takes intuitive color and texture matching to a whole new level by addressing common problems on multicam and stereo shoots. RE:Match is a set of plug-ins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings. RE:Match assumes that both image sequences are taken roughly at the same location but perhaps were not shot at the same time or from the same point-of-view.
For general multicam shoots RE:Match matches, as best it can, one sequence's overall color appearance to match that of another. For stereo pairs, RE:Match can further refine the overall color match by taking into account that the two views are captured at the same time with a relatively small distance between the views. In addition, RE:Match is also able to propagate color changes into areas that are present in only one view. RE:Match can also make other details, such as reflections, specular highlights, and lens flares be consistent between the two views.
What is new in this release:
- Fixes a crashing bug in Premiere Pro.
- Fixes a bug that Premiere Pro 9.0.2 introduced when processing floating point images. The only solution is that RE:Match now works only in 8 bits per channel within 9.0.2. This does not affect other versions of Premiere Pro.
What is new in version 1.4.1:
- Version needed to run in AE CC 2015
- Fixes Histogram method 2 to work much better in both RE:Match Color and RE:Match Stereo.
- Better results when refinement mode used in RE:Match Stereo
- Adds support for RVL_NOGUI_LIC and RVL_QUIT_LIC_FAIL environment variables during render-only use in After Effects.
What is new in version 1.3.6:
Fixed issues with licensing that some users were seeing Fixed sluggish performance issue in After Effects
Adobe After Effects CS5, Adobe Premiere Pro CS5